an important instrumental genre of the baroque was a group of short dances collectively known as

Answer: Since then, however, artists have gradually become more specialized in their approach to making art. Painters paint, sculptors sculpt, and so forth. But the Renaissance set the tone for later artists to specialize by reintroducing artistic techniques like realistic portrayals of the human form and using perspective.

Explanation:

The heart of the classical orchestra was the a. string section.

The heart of the classical orchestra was the string section, which typically includes instruments such as violins, violas, cellos, and double basses. While the brass, woodwind, and percussion sections all play important roles in the overall sound of the orchestra, it is the string section that provides the foundation and backbone of many classical compositions.The string section provides the foundation and harmony of the orchestra and is considered the core of the ensemble. The other sections - brass, woodwind, and percussion - play important roles in the orchestra as well, but the strings are typically regarded as the most essential.

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The element of style that has been discussed since the time of ancient Greece and is associated with credibility is ethos.

Ethos is the appeal to the character, authority, and credibility of the speaker or writer. It is used to establish the credibility of the speaker or writer and to build trust with the audience. Ethos is an important element of persuasive communication and is often used in public speaking, advertising, and marketing. The very element of style that has been discussed since the time of ancient Greece and is associated with credibility is ethos. That iz why, Ethos refers to the ethical appeal, trustworthiness, and credibility of the speaker or writer. It is important for establishing a connection with the audience and persuading them of the speaker's or writer's authority on the subject matter.

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Option d. Woodcut was the printmaking techniques which was used to create the image.

There are several printmaking techniques like:

a. Etching: A process where an image is created by using acid to cut into a metal plate. The plate is then inked, and paper is pressed onto the plate to transfer the ink and create the print.

b. Engraving: A technique in which an image is carved into a metal plate with a sharp tool called a burin. Like etching, the plate is then inked, and paper is pressed onto the plate to create the print.

c. Lithograph: A method where an image is drawn onto a stone or metal plate using a greasy substance, which then attracts ink. The surface is dampened, and the ink is applied, sticking only to the greasy areas. Paper is then pressed onto the surface to transfer the image.

d. Woodcut: A type of relief printing, where an image is carved into a wooden block, leaving raised areas that will receive ink. The inked block is then pressed onto paper to create the print.

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To accurately answer your question, please provide the list of films you are referring to. Once you have provided the list, I will be able to identify which two films serve as examples of filmmakers applying the oppositional gaze in their work.

Oppositional gaze is a term coined by feminist scholar bell hooks to describe a critical perspective that challenges dominant narratives and representations of marginalized communities. Specifically, it refers to the act of looking back at the viewer from a position of resistance, particularly by black women in response to historically negative portrayals of their bodies and identities in media and popular culture. An oppositional gaze is a form of agency that allows individuals to assert their own subjectivity and disrupt the power dynamics inherent in the act of looking. By refusing to be objectified, the oppositional gaze can empower individuals and communities to reclaim their own narratives and challenge oppressive systems.

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Your statement is true. To create a group of monochromatic colors, you simply have to add white or black to one color.

This will produce various shades, tints, and tones of the base color, creating a monochromatic color scheme.

Shades are created by adding black to a base color, which darkens the color while maintaining its hue. This results in a deeper, darker version of the original color.

Tints, on the other hand, are produced by adding white to a base color, lightening the color while preserving its hue. Tones are achieved by adding both black and white to a base color, resulting in a desaturated or muted version of the original color.

A monochromatic color scheme can offer several benefits in design and aesthetics. First, it allows for a cohesive and harmonious color palette as all the colors in the scheme share the same base hue. This can create a sense of unity and balance in a design or artwork.

Additionally, using shades, tints, and tones of a single color can provide depth and dimension, as well as create visual interest through subtle variations in color. Monochromatic color schemes are also versatile and can be used in various design styles, from minimalist to bold and vibrant.

Another advantage of using a monochromatic color scheme is that it can be easily combined with other color schemes or used as a foundation for more complex color palettes.

For example, a monochromatic color scheme can serve as a base to which complementary or analogous colors are added for contrast or accent. This allows for flexibility and creativity in designing visually appealing compositions.

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The distinguishing characteristic of the rondo form is the recurrence of a musical idea called a refrain that alternates with contrasting episodes.

The distinguishing characteristic of the rondo form is the recurrence of a musical idea called a refrain that alternates with contrasting episodes. Thematic development and motive may also be present in rondo form, but the alternating refrain and contrasting episodes are the defining features.

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Session musician names a musician who is hired on an as-needed basis as part of an orchestra or band being recorded, but is not part of the featured group. The right answer is b.

An artist who provides support for the primary recording artist is known as a session musician. Session musicians aren't always a part of a band or other musical ensemble, by definition. Instead, they are supporting musicians or singers who add more vocals or an instrument to a track.

On occasion, touring artists or bands will invite session musicians to join them. A session musician's job on tour is comparable to what they do in the recording studio. In other words, they support the primary recording artist or band musically but are not regarded as legitimate members of the group.

The correct answer is option b.

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Homophonic and polyphonic describe different types of musical textures, while allegro and adagio describe different tempo.

Monophonic refers to a type of musical texture with a single melodic line.
1. Homophonic - A musical texture where one melody is supported by harmonies.
2. Allegro - A fast tempo, typically indicating a cheerful or lively piece.
3. Polyphonic - A musical texture where multiple independent melodies occur simultaneously.
4. Adagio - A slow tempo, often conveying a calm or relaxed atmosphere.
5. Monophonic - A musical texture with only one melody, without any harmony or accompaniment.

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Answer:True

Explanation:

Answer: False

Explanation: According to Britannica "Ghost Dance, either of two distinct cults in a complex of late 19th-century religious movements that represented an attempt of Native Americans in the western United States to rehabilitate their traditional cultures."

Art historians believe that the American artist Thomas Eakins modeled "The Gross Clinic" on his own artistic vision and observations of the surgical theater, rather than on any specific reference or existing artwork.

"The Gross Clinic" is a notable painting created by Eakins in 1875, which depicts Dr. Samuel D. Gross, a prominent Philadelphia surgeon, performing surgery in front of an audience of medical students. The painting is known for its realistic and detailed depiction of the surgical scene, as well as its dramatic lighting and composition.

Eakins was known for his meticulous attention to detail and his commitment to depicting scenes from everyday life with accuracy and authenticity. He often relied on his own observations and experiences as a source of inspiration for his artworks, rather than relying solely on established artistic conventions or existing works.

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Art historians believe that the american artist Thomas Eakins modeled "The Gross Clinic" on a combination of his own anatomical knowledge, photographs, sketches and drawings from the actual surgery, and broader cultural and intellectual trends of the late 19th century.

Thomas Eakins' "The Gross Clinic" is a painting that has become an iconic representation of both medical history and American art.

Completed in 1875, the painting depicts a surgical operation being performed by Dr. Samuel D. Gross, a well-known Philadelphia surgeon, in front of a large audience of medical students.

The painting is both a work of art and a historical document, providing a glimpse into the practice of medicine in the late 19th century.

Eakins had studied anatomy in Paris and had dissected cadavers in Philadelphia, so he had a firsthand knowledge of the human body that he brought to bear on the painting.

Eakins had a keen interest in the human form and was known to be a meticulous observer of anatomy. He used photographs of the operation and of Dr. Gross himself, as well as sketches and drawings that he made during the actual surgery.

He also studied the work of other artists who had depicted surgical scenes, such as Rembrandt, Velázquez, and Géricault, and incorporated elements of their style and composition into his own work.

Eakins was influenced by the broader cultural and intellectual trends of the late 19th century. The painting was created during a time when there was a growing interest in scientific and medical knowledge.

Eakins was part of a broader movement of artists and intellectuals who sought to represent the human body in a realistic and scientific way. In this sense, "The Gross Clinic" can be seen as a reflection of the larger cultural trends of its time.

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The southern rock band you are referring to is the Allman Brothers Band. This band featured the guitar virtuoso Duane Allman, who was a sought-after session musician.

The southern rock band that featured a guitar virtuoso who was a sought-after session musician and had also recorded with soul music stars such as Aretha Franklin and Wilson Pickett is none other than the iconic Lynyrd Skynyrd. The guitar virtuoso in question is the late, great Ed King, who was a founding member of the band and was responsible for some of their most memorable guitar riffs, including the opening riff on "Sweet Home." In addition to his work with Lynyrd Skynyrd, King was a prolific session musician who played on countless albums by artists from a variety of genres, including soul, rock, and country. His contributions to the world of music are immeasurable, and his legacy continues to inspire guitarists and fans alike.

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In "Song of Myself" by Walt Whitman, the voice that is the loudest and most prominent is that of the poet himself.

The poem is a celebration of the self and the individual, and Whitman's voice is the driving force behind this message. However, throughout the poem, there are also many other voices that contribute to the overall message, including the voices of different people from all walks of life, animals, and even the earth itself. These voices all come together to create a rich and diverse tapestry of humanity, but it is ultimately Whitman's voice that is the most powerful and resonant.

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According to the speaker, the prophet's "word of the weapons" in line 5 will probably not be heeded because people tend to prioritize their own interests and desires over the wisdom of prophets.

The speaker suggests that people often turn a blind eye to the truth and cling to their beliefs and ideas, even when they may lead to destruction. Furthermore, the speaker implies that the prophets' message is often ignored or dismissed because it challenges people's established beliefs and comforts, making them uncomfortable.

Therefore, the speaker implies that the prophet's warning of the impending danger is likely to fall on deaf ears, leading to unfortunate consequences.

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This piece is in a minor key. The correct option is minor.

In music, there are two primary types of tonalities: major and minor. Major keys are generally perceived as bright, uplifting, and consonant, while minor keys are typically considered darker, melancholic, and dissonant. Consonant refers to sounds that are harmonious and pleasing to the ear, whereas dissonant sounds create tension and may be perceived as clashing or unresolved.

A major scale is built on a specific pattern of whole and half steps (W-W-H-W-W-W-H), while a minor scale follows a different pattern (W-H-W-W-H-W-W). This difference in structure is what creates the distinct tonal characteristics between major and minor keys.

To determine whether a piece is in a major or minor key, you can look at the key signature, which indicates the sharps or flats present in the music. Additionally, listening to the overall mood of the piece can help you distinguish between major and minor tonalities. In this case, the description of the major and minor scales suggests that the piece you are referring to is in a minor key, which means it likely has a more somber or emotional quality. The correct option is minor.

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According to the reading, Vaux-le-Vicomte opens up like a book and tells a story. The correct option is b. book and tells a story.

The Chateau de Vaux-le-Vicomte is not just a magnificent palace; it is a masterpiece of storytelling. It is said that the chateau was built as a tribute to King Louis XIV, but it was also built as a way to tell the story of Nicolas Fouquet, the superintendent of finances who commissioned the building of the chateau.

The chateau's architecture, décor, and landscaping all tell the story of Fouquet's rise to power and his eventual downfall. Each room in the chateau is carefully designed to tell a different part of the story, from the grandeur of the entrance hall to the opulence of the state apartments to the melancholy of the dungeon.

Even the gardens tell a story, with each area representing a different stage in Fouquet's life. Vaux-le-Vicomte is not just a beautiful building; it is a work of art that tells a compelling story of ambition, power, and downfall.

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John Constable's works, though romantic in essence, were the foundation for the artistic movement known as the British landscape tradition. This movement emphasized the importance of capturing the natural beauty of the British countryside, and Constable's emphasis on light and atmosphere greatly influenced the style and techniques of later landscape painters in Britain.

John Constable's works were the foundation for the artistic movement known as the "British Romantic Movement" in the late 18th and early 19th centuries. This movement was characterized by a focus on emotion, individualism, and the beauty of nature, and sought to convey a sense of the sublime through dramatic and awe-inspiring landscapes. Constable's paintings of the English countryside, with their emphasis on the changing weather and light, helped to establish the Romantic movement's love of natural beauty and its celebration of the individual's emotional response to the world around them

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The scene on the battle of Romans and Barbarians sarcophagus rejects classical perspective by showing figures of varying sizes without regard to spatial depth. This is option C.

Classical perspective is based on the principle of creating the illusion of depth on a two-dimensional surface by using techniques such as foreshortening, linear perspective, and atmospheric perspective.

The scene on the sarcophagus does not adhere to these principles. Instead, the figures are placed in the foreground, and their sizes are not proportional to their distance from the viewer. This creates a sense of flatness and lack of depth in the composition.

The use of atmospheric perspective, which creates the illusion of distance by making objects in the distance appear lighter and less distinct than those in the foreground, is not present in the scene. The sky is also depicted in a non-realistic manner with swirling patterns, further distancing the scene from the principles of classical perspective.

The rejection of classical perspective in this scene emphasizes the importance of the narrative and the figures rather than creating a realistic representation of space and depth.

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The scene on the Battle of Romans and Barbarians sarcophagus rejects the classical perspective by:
C) By showing figures of varying sizes without regard to spatial depth

The scene on the battle of the Romans and Barbarians sarcophagus rejects the classical perspective by showing figures of varying sizes without regard to spatial depth. This means that the figures are not placed in a way that creates a realistic sense of depth, as they are not scaled according to their distance from the viewer. This technique is known as hierarchical scale, where the most important figures are shown larger than those of lesser importance, regardless of their actual size in relation to one another. This rejection of classical perspective is also seen in the depiction of the sky, which is shown in a non-realistic manner and adds to the overall symbolic meaning of the scene.

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In a multimovement instrumental cycle, the movement most likely to be a dance is the third movement (c).


This movement often follows a minuet or scherzo form, which are dance-like in nature. The third movement of many instrumental cycles, particularly in the Classical period, is often a minuet or scherzo, which are both types of dances. The minuet is a slow, stately dance in triple meter, while the scherzo is a faster, livelier dance in compound meter. Overall, while any movement of a multimovement instrumental cycle can potentially be a dance, it is most common for the third movement to take on this role.

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Answer: False

Explanation: All interfaces and classes in the Collections framework are declared using generic type since JDK 1.5. 20.3

Scholars believe that decorative schemes based on highly stylized animal and monster faces, known as "zoomorphic" designs, were a significant aspect of artistic expression in various ancient cultures. These designs often conveyed symbolic meanings and added aesthetic value to various art forms, such as sculptures, textiles, and architecture.

scholars believe that decorative schemes based on highly stylized animal and monster faces, known as zoomorphic and theriomorphic designs, were popular in many ancient cultures such as those in Egypt, Greece, and Mesoamerica. These designs were often used to symbolize power, strength, and protection, and were commonly found on various objects such as pottery, jewelry, and architectural elements. Some scholars also believe that these designs may have held religious or spiritual significance, representing deities or supernatural beings. Today, these designs continue to inspire contemporary artists and designers, and are appreciated for their intricate and visually stunning qualities.

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Scholars believe that the decorative schemes based on highly stylized animal and monster faces, known as "grotesques".

It have been a popular motif in art and architecture since ancient times. Scholars believe that the use of grotesques originated in ancient Rome, where they were used to decorate the walls and ceilings of buildings such as the Domus Aurea.

During the Renaissance, grotesques became particularly popular as a decorative element in the art and architecture of Italy.

Artists such as Raphael and Michelangelo incorporated grotesques into their frescoes and sculptures, and architects such as Andrea Palladio used them to embellish the facades of buildings.

In addition to their aesthetic appeal, grotesques were often used to convey symbolic meanings. For example, they were sometimes used to represent the triumph of good over evil or to express political or social commentary.

In medieval art, grotesques were often associated with the devil and other demonic figures, while in Renaissance art, they were sometimes used to represent the irrational and chaotic forces of nature.

Today, grotesques can be found in a variety of contexts, from the ornate facades of historic buildings to contemporary art and design. They continue to be valued for their striking visual impact and their ability to convey a range of meanings and emotions.

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Answer:True

Explanation:Brainliest pls:)

Answer: True

Explanation: A good character should be likeable and perfect. In a story without conflict, there is tons of action, a huge fight, ample passion, and various problems. A foil character is never depicted as the antagonist or the villain. directly and explicitly tells the reader what the character is like.

BRAINLIST pls.

The evocation of non-Western and cultures by a European composer through citations or imitations of their musical styles and sonorities is often called "exoticism."

Exoticism in music refers to the incorporation of elements from non-Western cultures into Western compositions, as a means to create a unique atmosphere or to evoke a specific locale. This can include borrowing melodic patterns, rhythms, instruments, or even entire musical forms from different cultures.

European composers often used exoticism to express their fascination with foreign lands and to convey a sense of novelty to their audiences.

Examples of exoticism can be found in the works of composers such as Claude Debussy, Maurice Ravel, and Giacomo Puccini, who integrated Asian, African, or Middle Eastern influences into their compositions, creating a distinct and captivating musical experience.

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The correct answer is c. absolute music is the music with no literary basis is referred to as

Absolute music is music that has no explicit or intended literary, pictorial, or other extramusical content. It is also known as pure music or abstract music.

Program music, on the other hand, is instrumental music that is associated with a story, poem, idea, or scene, and is intended to evoke extra-musical ideas or images in the listener's mind.

Incidental music is music written to accompany or enhance a play, film, or other performance.

Thematic music is a more general term that can refer to any music that emphasizes a particular melody or theme.

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The answer is c. absolute music which is often considered the purest form of music, as it allows the listener to fully appreciate the musical elements without being distracted by outside influences.

Absolute music refers to instrumental music that has no literary or programmatic basis, meaning it is not intended to tell a story or represent specific characters or events. Instead, it is focused solely on the musical expression itself. Examples of absolute music include symphonies, sonatas, and concertos.

In contrast, program music is instrumental music that is associated with a story, poem, or other literary work, while incidental music is composed specifically for a theatrical production, film, or television show. Thematic music refers to music that is centered around a particular melody or theme.

Absolute music is often considered the purest form of music, as it allows the listener to fully appreciate the musical elements without being distracted by outside influences. It is also a testament to the composer's skill and creativity, as they must rely solely on musical techniques to create a compelling piece.

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Vivaldi's instrumental music belongs to the genre of program music, which portrays a scene or narrative without the use of sung words. Thus the correct option is A.

Italian Baroque musician Antonio Vivaldi is renowned for his instrumental music, which is categorised as programme music. Without the use of lyrics, this genre of music uses the power of entirely instrumental music to portray a particular scene, narrative, or feeling. Vivaldi's pieces sometimes have descriptive names like "The Four Seasons," which uses music to conjure up images of each season.

Audiences still love programme music, which was a common genre in the Romantic era that followed the Baroque era.

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A group of people who dance, sing, and comment on the actions of the play is called a "chorus." In classical Greek drama, the chorus played a vital role in the overall structure and development of the play. Consisting of a group of performers, the chorus would sing, dance, and recite lines to provide commentary on the events and themes of the play.

The chorus often acted as a bridge between the audience and the actors on stage, helping to create a deeper understanding of the plot and the characters' emotions. By using their unique blend of singing, dancing, and narration, the chorus enhanced the audience's experience by providing context and a richer, more immersive theatrical atmosphere.

The use of a chorus in drama can be traced back to ancient Greece, where the chorus was a central component of Greek tragedies and comedies. In these plays, the chorus would often represent a specific group of characters, such as the townspeople or a group of elders, who provided insight into the play's events and themes from their collective perspective.

In modern theatre, the role of the chorus has evolved and can take various forms, but its core function of providing commentary and enhancing the audience's understanding of the story remains the same. Today, the chorus can be seen in various types of performances, including musicals and operas, where their combination of singing, dancing, and narration continues to engage and inform audiences.

In summary, a chorus is a group of performers who dance, sing, and comment on the actions of a play. This versatile and essential element of drama has its roots in ancient Greece and continues to be a significant part of modern theatre, enriching the audience's experience through their unique blend of performance styles.

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In the Old Testament of the Bible, the Israelites were believed to have received divine guidance from God in various forms, including numbers.

According to biblical accounts, God communicated with the Israelites through dreams, visions, prophecies, and other supernatural means, including the use of numbers.

Some examples of divine guidance through numbers in the Old Testament include:

Overall, according to the biblical accounts, the Israelites were believed to have received divine guidance from God through various means, including numbers, which played a significant role in their religious practices, laws, prophecies, and everyday life.

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In Numbers, the Israelites were given divine guidance in. the pillar of cloud by day and the pillar of fire by night. T/F

In numbers, the israelites were given divine guidance in a pillar of cloud by day and a pillar of fire by night.

The Israelites were a group of people who were believed to have been chosen by God for a specific purpose. According to the Bible, they were descendants of Abraham, who God promised to make a great nation. Throughout their history, the Israelites were given divine guidance in various ways.

One of the most significant ways in which the Israelites were given divine guidance was through the Ten Commandments, which were given to Moses on Mount Sinai. These commandments were seen as the foundation of the Israelite's moral and religious beliefs and provided a clear set of rules for how they were to live their lives.

In addition to the Ten Commandments, the Israelites were also given guidance through the prophets, who were believed to have received messages from God. The prophets would often warn the Israelites of impending danger and call for repentance and a return to God.

The Israelites were also given divine guidance through miraculous events, such as the parting of the Red Sea, which allowed them to escape from the pursuing Egyptian army. These events were seen as proof of God's power and protection.

Overall, the Israelites were given divine guidance in various forms, including through the Ten Commandments, the prophets, and miraculous events. This guidance was seen as crucial to their survival as a people and their relationship with God.

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False. is this statement true or false? anyone who plans to pursue a career in the field of music be proficient on a musical instrument.

While proficiency on a musical instrument can be beneficial for a career in music, there are many roles in the field, such as music management, production, education, and research, that do not require the ability to play an instrument at a professional level. Additionally, some musicians may specialize in vocal performance or electronic music production, where the ability to play a traditional instrument may not be as essential.

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After listening to the entire third movement, the form it is in is Scherzo and Trio.

The Scherzo is a musical form that developed in the Classical period and became a popular form in the Romantic era. It is typically characterized by its fast, playful tempo, and its use of rhythmic and melodic motifs to create a sense of energy and momentum. The Scherzo is often contrasted with a slower, more lyrical section known as the Trio, which provides a moment of respite from the frenetic energy of the Scherzo.The third movement of many Classical and Romantic symphonies, sonatas, and chamber works is often a Scherzo and Trio. This is the case with many of Beethoven's symphonies, including his Third, Fifth, and Ninth symphonies, as well as his Piano Sonata No. 18 and String Quartet No. 13. It is also the case with many works by other composers, such as Schubert's "Trout" Quintet and Brahms' Piano Quartet No. 3.

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