Photomontage is related to ____ , which can be made of almost anything that can be glued to a surface.
A. monotype B. collage C. daguerreotypes
D. encaustic

Answer: True

Explanation: Brainlist?

The given statement, A scale made up of six different notes each a whole step away from the next is called a whole-tone scale is False.

A whole-tone scale is a musical scale made up of six different notes that are each a whole step away from the next, but it is not the only type of scale that adheres to this pattern. A chromatic scale is another example of a scale which is composed of notes that are each a whole step away from one another.

The difference between a whole-tone scale and a chromatic scale is that a whole-tone scale only uses six notes, while a chromatic scale uses all twelve notes in the octave. Additionally, a whole-tone scale is built exclusively of whole steps, whereas a chromatic scale is made up of both whole and half steps.

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Answer: 225

Explanation: tan θ = 3/2 = 1.5 Height = tan θ × adjacent = 1.5 × 150' = 225'

The correct answer is: 225'

Answer:

We can use the tangent function to solve this problem. The tangent of an angle is equal to the opposite side divided by the adjacent side. In this case, the angle is the angle of elevation from the tip of the building to the top of the building.

Let h be the height of the building. Then, we have:

tan(theta) = h / 150

where theta is the angle of elevation.

Similarly, we can use the same formula to find the length of the shadow of the building:

tan(theta) = h / x

where x is the length of the shadow of the building.

We know that the length of the shadow of the yardstick is 2 feet. Therefore, we have:

tan(theta) = 1 / 2

Now we can set the two expressions for tan(theta) equal to each other:

h / 150 = 1 / 2

Solving for h, we get:

h = 150 * (1 / 2) = 75 feet

Therefore, the height of the building is 75 feet.

Explanation:

Krishna is a major deity in Hinduism and is considered to be the eighth incarnation of Lord Vishnu. He is widely worshipped and celebrated throughout India and is known for his mischievous nature and his deep love for his devotees.

Krishna is a significant deity in Hinduism, known for his pivotal role in the Indian epic, the Mahabharata, and his philosophical teachings in the Bhagavad Gita. In Indian dance, Krishna is often depicted as a central character, symbolizing divine love, wisdom, and playfulness. Indian dance forms such as Bharatanatyam, Kathak, Odissi, and Manipuri frequently incorporate stories and themes related to Krishna. These classical dance styles emphasize expressive storytelling, with dancers using intricate gestures, facial expressions, and body movements to convey Krishna's divine essence and adventures. In Indian dance, Krishna is usually characterized by his peacock feather-adorned headgear, flute, and distinctive blue complexion. His iconography symbolizes spiritual wisdom, divine love, and the power to attract and captivate the hearts of devotees. Overall, Krishna is a beloved and revered figure in Indian culture and his presence can be felt through various art forms, including dance.

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Dancing involves moving the body rhythmically to music or sounds for various purposes, such as entertainment, exercise, or cultural expression, and it has numerous physical and mental health benefits.

Ulysses Dove's "Dancing on the front porch of heaven" is a contemporary ballet piece that premiered in 1993. It explores themes of death and the afterlife through powerful and emotionally charged movement. The title suggests a sense of freedom and joy in the idea of being welcomed into the afterlife, and the choreography reflects this with fluid, dynamic movements and a sense of weightlessness. The piece has been praised for its intense physicality and emotional depth, and has become a staple of contemporary ballet repertoire.

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"Dancing on the front porch of heaven" is a contemporary ballet piece choreographed by Ulysses Dove in 1993.

The piece is a tribute to his late father and explores themes of grief, loss, and healing. The choreography features a solo male dancer and a group of female dancers, and the movements are described as powerful and emotive, with a mix of fluidity and sharpness. The title of the piece references the idea of finding joy and release in the afterlife, and the choreography is said to convey a sense of spiritual transcendence. "Dancing on the front porch of heaven" has become one of Dove's most famous works, and it continues to be performed by ballet companies around the world today.
Ulysses Dove's "Dancing on the Front Porch of Heaven" is a contemporary ballet choreographed in 1993. This dance piece is characterized by its emotional depth and minimalist approach to movement. It showcases the beauty of human form and explores themes of love, loss, and spirituality.
Dove, a renowned American choreographer, is known for his innovative and thought-provoking works in the world of dance. "Dancing on the Front Porch of Heaven" is one of his most celebrated creations, featuring a unique fusion of classical ballet technique and modern dance elements. The choreography is set to the evocative music of Estonian composer Arvo Pärt, which adds to the emotional impact of the piece.
The dance is composed of six dancers who perform in various groupings and solos. The movements are both powerful and tender, reflecting the theme of transcending human experience and connecting to a higher spiritual plane. The title of the work suggests an intimate, personal conversation with the divine, as if dancing on the threshold between the earthly realm and the celestial sphere.
Overall, Ulysses Dove's "Dancing on the Front Porch of Heaven" is a profound exploration of human emotion and spirituality through dance. The piece invites the audience to engage in a deep reflection on life, love, and loss, and ultimately, to experience a sense of connection with the divine.

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Answer:

The Gates by Christo and Jeanne-Claude affected the site by making the experience of the park different, as many people saw the park in a new way. The installation transformed the park's pathways into a striking visual spectacle, with the bright saffron-colored fabric panels standing out against the natural surroundings. Visitors to the park were able to interact with the artwork in a unique way, walking through the gates and experiencing the changing colors of the panels as the light shifted throughout the day.

The artwork was only a temporary installation and did not permanently alter the landscape of the park. While there was some controversy surrounding the project, particularly with regard to its cost and the impact on traffic, the artwork was generally well-received by visitors to the park and has been remembered as a significant cultural event in New York City. There were no reports of graffiti left in the wake of the project.

Answer:

B) Encaustic and fresco

Explanation:

Hi,

9) What two ancient painting media are still in use today ?

Answer:

A) Acrylics and oils

Answer:

D) Encaustic

Explanation:

ccccc:

It is important to inspect your cargo after you have driven to ensure that it is still properly secured and hasn't shifted during transport.

This is especially crucial for goods that are fragile or hazardous in nature. The inspection should include checking the straps, chains, and tie-downs to ensure they are still tight and in good condition. It is also important to make sure the cargo is evenly distributed and not overloaded on one side of the vehicle. By performing a thorough inspection of your cargo, you can help prevent accidents and ensure that your shipment arrives safely at its destination.

After you have driven, it is essential to inspect your cargo periodically to ensure safety and compliance with regulations. You should check your cargo after completing the following activities:

1. Driving for at least 50 miles
2. Taking a break or stopping for fuel
3. Experiencing any abrupt or sudden movements
4. Encountering extreme weather conditions

Regular cargo inspections help maintain the stability of the load, prevent shifting, and identify any potential issues before they become hazardous.

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One example of a religious dance losing its significance is the Chhau dance of eastern India. Chhau is a traditional dance form that combines martial arts, acrobatics, and folk dance. It originated as a way to depict Hindu mythology and was performed during religious festivals.

However, in recent years, the significance of Chhau as a religious dance form has declined. With the spread of modernity and the changing values of younger generations, the dance has evolved into a more secular form of entertainment. Today, it is often performed for tourists or at cultural events rather than religious festivals.

The decline in religious significance of Chhau is not unique to this dance form but is part of a broader trend of cultural change in many societies worldwide, as traditional beliefs and practices give way to new social and cultural norms.

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Answer:

Ms. diMatteo needed to pay attention to all of the above concerns - the product, the people, and the support processes - when opening her second restaurant. These three areas are critical components of any successful restaurant operation and are all important to consider when expanding a business.

Therefore, the correct answer is D) All the above answer choices are correct.

Ms. diMatteo discovered in opening her second restaurant, she needed to pay attention to D) All the above answer choices are correct.

When opening a second restaurant, Ms. diMatteo must pay attention to all of the concerns listed in the answer choices. It is important to have a good product, as this will be the main focus of the restaurant. She must also consider the people, both customers and staff, and be sure to hire the right people to work in the restaurant and provide the best customer service.

Finally, she should pay attention to the support processes, such as the restaurant's inventory and supply chain, as these are necessary for the restaurant to run smoothly and efficiently. All of these concerns must be taken into account when opening a second restaurant in order to ensure its success.

Therefore, correct option is D.

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Polyphony and counterpoint are related musical terms, but they are not exactly the same thing. Polyphony refers to a style of music in which multiple independent melodies or voices are played simultaneously, creating a rich and complex texture.

Counterpoint, on the other hand, refers to the specific technique of combining two or more melodic lines in a way that creates a harmonious whole while still allowing each line to maintain its independence and integrity.In other words, counterpoint is a specific approach to creating polyphonic music. It involves careful attention to the relationship between different melodic lines, ensuring that they complement and support each other while also retaining their individuality. This can involve techniques such as imitation, inversion, and augmentation, among others.While polyphony and counterpoint are not interchangeable terms, they are often used together, since counterpoint is such an important aspect of polyphonic music. Together, these two terms describe a style of music that is characterized by intricate harmonies, complex textures, and a deep appreciation for the interplay between different melodic lines. Whether you're listening to the soaring choral music of the Renaissance, the intricate fugues of Bach, or the modern polyphonic styles of contemporary composers, polyphony and counterpoint are key concepts that can help you understand and appreciate the beauty of this rich and complex musical tradition.

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"Thy hand, Belinda," as sung by Dido in Purcell's opera, is an area. This famous piece is from the opera "Dido and Aeneas" and is also known as "Dido's Lament" or "When I am Laid in Earth." The area is a highly emotional and expressive part of the opera, showcasing Dido's grief as she contemplates her own death.

"Thy hand, Belinda" is an aria sung by Dido in Henry Purcell's opera "Dido and Aeneas". It is a melancholic and emotional piece that showcases the heart-wrenching moment when Dido realizes that Aeneas is leaving her. The lyrics are poignant, as Dido implores Belinda to lend her support in this difficult time, and the music is beautifully crafted to convey the intensity of the emotions being portrayed. The area is often considered one of the highlights of the opera and is a testament to Purcell's skill as a composer. Overall, "Thy hand, Belinda" is a powerful and moving aria that continues to captivate audiences to this day.

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Hawaiian culture is kept alive through a combination of different factors, including the following: Language, Music and Dance, Art and Crafts, Land and Natural Resources, Education and Community.

Language: The Hawaiian language is the foundation of the culture, and its preservation is vital to the continuation of Hawaiian traditions and values. Music and Dance: Hawaiian music and dance are important cultural expressions that have been passed down through generations. Hula, in particular, is a significant aspect of Hawaiian culture and has been recognized as a form of dance and storytelling. Art and Crafts: Hawaiian arts and crafts, such as lei-making, woodcarving, and weaving, are essential to the preservation of Hawaiian culture. These traditional practices help to maintain cultural identity and are often passed down within families.

Land and Natural Resources: The land and natural resources of Hawaii are deeply connected to the culture, and their protection is crucial for the survival of Hawaiian traditions. Education and Community: Hawaiian cultural education, both in schools and within the community, plays a significant role in keeping the culture alive. Through education and community events, younger generations can learn about and participate in traditional practices and values. Overall, the preservation of Hawaiian culture requires a concerted effort from individuals, organizations, and the government. It's crucial to recognize the importance of Hawaiian culture and work towards ensuring its survival for future generations.

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The rulers of Akkad and Assyria were known for using art as a means of expressing their authority and power.

The art of these empires was characterized by its grandeur, scale, and attention to detail, and was intended to inspire awe and reverence among the people.

One way in which the rulers of Akkad and Assyria used art to express their authority was through the creation of monumental sculptures and reliefs. These works of art depicted the ruler in a larger-than-life form, often with exaggerated muscles and imposing facial features, conveying the idea of the ruler as a powerful and god-like figure. These sculptures and reliefs were typically placed in public spaces such as temples, palaces, and city gates, where they could be seen by large numbers of people.

Another way in which the rulers of Akkad and Assyria used art to express their authority was through the use of iconography. Symbols such as the winged disk, the horned headdress, and the stylized tree were used to represent the power and authority of the ruler, and these symbols were often incorporated into works of art such as sculptures, reliefs, and decorative objects.

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1. The portrait appears as a train hurrying over a bridge amid a stormy day.

2. It speaks to the triumph of industrialization and innovation over nature.

3. The portrayal raises questions approximately the morals of industrialization and the part of craftsmanship in forming open supposition.

4. It celebrates human innovation but moreover highlights the effect of our activities on the environment.

5. The portrayal is almost finding an adjustment between advance and supportability. 

1. Describe

Rain, Steam, and Speed - The Incredible Western Railroad could be a portrayal that delineates a prepare moving at a tall speed on a railway track with steam and rain within the foundation.

The composition of the portrait is characterized by a corner-to-corner line running from the foot-cleared out corner to the beat right corner, which makes a sense of development and speed. The portrait is outwardly built with a combination of brushstrokes that make an impressionistic impact.

Looking at the portrait, I feel a sense of fervor and vitality. The fast-moving preparation, the rain, and the steam make a feeling of development and dynamism that's both exciting and fortifying.

2. Identify

The craftsman of Rain, Steam, and Speed - The Incredible Western Railroad is J.M.W. Turner, an English Sentimental painter. He was born in London in 1775.

3. Interpret

I accept that the craftsman is attempting to communicate the control and vitality of the present-day world. The portrayal was made amid the Industrial Transformation, and the preparation symbolizes the unused innovation that was changing society.

The rain and steam within the foundation speak to the control of nature and how it is interatomic with the man-made world. The corner-to-corner line within the composition of the portrayal speaks to the fast pace of mechanical advance.

Rain, Steam, and Speed - The Awesome Western Railroad is related to the Sentimental development in craftsmanship, which centered on feelings and personal encounters. The portrayal too speaks to the Mechanical Insurgency and the changes it brought almost in society.

4. Judge

Actually, I truly like this portrayal. I think that the utilization of color and brushstrokes makes an energetic and energizing picture. The portrayal captures the feeling of development and speed in a way that's both capable and wonderful.

5. In my opinion, this craftsmanship is approximately the control of innovation and the changing world. The artist's message is that advance and change can be both exciting and challenging and we must discover a way to adjust our association with nature and our want for innovative headway.

The portrayal may be a celebration of the Mechanical Transformation and the conceivable outcomes that it brought, but it too recognizes the challenges and the requirement for caution within the confront of such a fast alter. 

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Answer:

Line. This refers to a prolongation of a point, or mark on a surface.

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The whirling dance, also known as the Sama, is an important part of the spiritual practice of the Order of the Whirling Dervishes.

The dervishes spin in a circle while listening to music and reciting prayers, and there are several reasons why they engage in this practice:

1. To achieve a state of spiritual transcendence: The spinning motion of the Sama is intended to help the dervishes enter a state of trance-like meditation, which is believed to bring them closer to God and to help them achieve spiritual enlightenment.

2. To symbolize the movement of the universe: The spinning motion of the Sama is also meant to symbolize the movement of the universe, which is constantly in motion and always changing. By spinning, the dervishes are reminded of the impermanence of all things and the need to let go of attachments.

3. To experience the unity of all things: The Sama is also intended to help the dervishes experience the unity of all things. By spinning in a circle with other dervishes, they are reminded of their interconnectedness with all other beings and the oneness of the universe.

4. To express devotion and love for God: Finally, the Sama is a form of devotion and love for God. By engaging in the dance, the dervishes express their deep spiritual commitment and their desire to connect with the divine.

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You want to work for a workplace that values the innovation value dimension. Innovation is an important aspect of an organization that emphasizes risk-taking and encourages open discussions about conflicts.

Such organizations foster an environment where employees are encouraged to take calculated risks and think outside the box to find creative solutions to problems. Innovation is the key to success in today's fast-paced and dynamic business world. Organizations that value innovation are always looking for new ways to improve and stay ahead of the competition. They are not afraid to take risks, even if it means failing occasionally, as they understand that failure is a stepping stone to success. Such workplaces also value open discussions about conflicts, as they recognize that differing opinions and ideas can lead to better solutions.

Overall, the innovation value dimension is essential for organizations that want to stay relevant and succeed in today's ever-changing business landscape.

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The verse in question seems to be a traditional poem or songs, written in a structured form with clear rhyming patterns and a discernible narrative or message.

This stands in stark contrast to the avant-garde movement of Dada, which rejected traditional forms of art and embraced chaos, irrationality, and shock value. Dadaists often used collage, performance art, and found objects to create their works, which were intended to provoke and challenge conventional notions of beauty and meaning. While the verse may use language and imagery to evoke emotions and ideas, Dadaists sought to disrupt and subvert these same conventions. Overall, the two approaches to artistic expression could not be more different, with one adhering to established norms and the other rejecting them entirely.

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When a vehicle goes into a front-wheel skid, the front wheels lose traction, and the vehicle is likely to continue in a straight line or follow the direction of the skid.

The driver may experience difficulty steering or stopping the vehicle, and the vehicle may also pull to one side. To recover from a front-wheel skid, the driver should release the brake and accelerator pedals and steer in the direction of the skid. This will help the front wheels regain traction and bring the vehicle back under control. It's important to avoid oversteering, as this can cause the vehicle to spin or skid in the opposite direction. Front-wheel skids occur when the front tires lose traction due to factors such as excessive speed, sudden braking, or driving on slippery surfaces like wet or icy roads. The weight of the vehicle shifts forward when the driver applies the brakes, which can cause the front tires to lose grip and slide. To prevent front-wheel skids, drivers should maintain a safe and consistent speed, avoid sudden braking or acceleration, and maintain a safe distance from other vehicles. They should also ensure that their tires are properly inflated and have sufficient tread depth to provide adequate traction.

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The four main romatic era expressive trends does not include "a fascination with the macabre, the gothic, and the supernatural".  

While this may have been a sub-genre or thematic interest of some Romantic-era composers, it was not one of the four main expressive trends that defined the era.

The four main expressive trends of the Romantic era were:

The establishment of new musical forms: Composers of the Romantic era sought to break free from the rigid structures of the Classical era and create new forms of musical expression.

The fascination with extreme emotional states: Romantic composers sought to convey intense emotions through their music, often using dramatic contrasts and bold gestures to create a sense of emotional intensity.

Musical nationalism: Composers of the Romantic era were interested in exploring and celebrating their national identities through music, often incorporating folk melodies and other elements of national culture into their compositions.

A glorification of nature: Romantic composers were often inspired by the beauty and power of the natural world, and sought to express this in their music through lush harmonies, evocative melodies, and descriptive programmatic elements.

While some Romantic-era composers may have been interested in the macabre, the gothic, and the supernatural, this was not a defining characteristic of the era as a whole.

Rather, the Romantic era was characterized by a broader interest in emotional expression, national identity, and the natural world.

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Singing a specific chorale together with the congregation was a critical part of weekly Lutheran religious services.

The chorale is a hymn or a sacred song that is sung by the congregation in unison. It is an important part of Lutheran worship and is often based on biblical texts or religious themes. Martin Luther, the founder of the Lutheran Church, believed that congregational singing was an essential part of worship, and he composed many chorales himself. During a Lutheran service, the congregation would sing several chorales, along with other hymns and prayers. The chorales were usually sung in four-part harmony, with the congregation divided into four sections, each singing a different part. The organ would provide accompaniment, and sometimes a choir or soloist would sing a verse or two.

Overall, the chorale was a central element of Lutheran worship, and it played a significant role in creating a sense of community and shared religious experience among the congregation.

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Answer:

look at explanation

Explanation:

looks like he is pleading for forgiveness hope this helps

At the Kandarya Mahadeva temple, spiritual unity with the divine is expressed through erotic scenes carved in relief.

These sculptures are believed to represent the union of Shiva and Parvati, which symbolizes the ultimate unity between the male and female energies in the universe. The temple is also decorated with intricate carvings depicting various aspects of Hindu mythology and philosophy, including stories of the journey to Nirvana.

However, it is the erotic carvings that are most striking and unique, as they are seen as a celebration of life and a reminder of the importance of embracing all aspects of existence, including desire and passion.

Overall, the Kandarya Mahadeva temple is a testament to the rich cultural and spiritual heritage of India, and its intricate artwork is a testament to the skill and creativity of its artisans.

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While both recitative and aria involve singing, they serve different purposes within an opera or other musical work and have distinct musical characteristics. Recitative is more speech-like and used for advancing the plot, while aria is more structured and used for conveying emotion.

Recitative and aria are two different styles of vocal music that are commonly found in opera and other forms of classical music. While both of these styles involve singing, they have distinct differences in terms of their structure, purpose, and musical characteristics.

Recitative is a style of vocal music that is characterized by a more speech-like quality. It is typically used to advance the plot of an opera or other musical work, and often involves sung dialogue between characters. In terms of structure, recitative tends to be more free-form and flexible than aria, with the melody and rhythm often following the natural inflection of the text. It is also often accompanied by a simple instrumental accompaniment, such as a harpsichord or piano.

Aria, on the other hand, is a more structured and melodic style of vocal music. It is typically used to convey a character's emotions, thoughts, or feelings, and often serves as a musical highlight within an opera or other work. In terms of structure, aria tends to be more formal and repetitive than recitative, with a clear melody and often featuring a more complex instrumental accompaniment.

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During a pre-trip inspection, if you discover an exhaust leak or power steering leak, you should report it to a mechanic or maintenance personnel immediately.

It is not safe to operate a vehicle with either of these issues as they can affect the performance and safety of the vehicle. An exhaust leak can release toxic fumes into the cabin of the vehicle, while a power steering leak can cause loss of control over the vehicle's steering. Therefore, it is important to address these issues promptly to ensure safe operation of the vehicle.

During a pre-trip inspection, if you discover an exhaust leak or power steering leak, you should immediately report the issue to your supervisor or maintenance department and refrain from operating the vehicle until the problem is resolved. Driving with these leaks can be dangerous and may lead to further damage or potential accidents.

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Answer:

In art, value refers to the relative lightness or darkness of a color or tone. It is an essential element in creating the illusion of three-dimensional form and depth in a two-dimensional artwork. Value is created by using different shades of gray or by mixing black and white with a color. Artists use value to give their artwork a sense of volume, contrast, and mood. For example, high contrast with strong values of black and white can create a dramatic and dynamic effect, while low contrast with subtle values of gray can produce a soft and peaceful atmosphere. Value is also an important aspect of composition and can help direct the viewer's eye to specific areas of the artwork.

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The Berlin Dadaists were known for their experimental and unconventional art practices, and as such, they did not have a specific technique that they preferred.

Instead, they employed a variety of techniques in their work, including collage, photomontage, assemblage, and performance art. The Berlin Dadaists were more concerned with challenging traditional art forms and societal norms than adhering to a specific technique. They sought to disrupt the conventional ways of thinking and creating, which is why they often employed absurdity and nonsense in their works.

Overall, the Berlin Dadaists were more interested in pushing the boundaries of art and society than in adhering to a specific technique.

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Hi,

Answer:

Thomas Weelkes was an English composer who wrote both sacred and secular music, but is most known for his madrigals.

True.Claudio Monteverdi (1567-1643) was an Italian composer, gambist, and singer who is widely regarded as one of the first great composers of opera.

He played a crucial role in the development of the genre, and his works, including "L'Orfeo" and "Il ritorno d'Ulisse in patria," are considered masterpieces of early opera.Claudio Monteverdi is considered a significant figure in the transition from the Renaissance to the Baroque period. He was born in Cremona, Italy, and began his career as a musician at a young age. He served as a music director and composer for the court of Mantua before moving to Venice, where he worked as the music director for St. Mark's Basilica.

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