plz answer!! will mark brainliest if correct!
the poem says:

Nothing Gold can Stay (title)
Nature’s first green is gold
Her hardest hue to hold.
Her early leaf’s a flower.
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

(Robert Frost 1923

Answer:

Min Yoon-gi :)

Explanation:

Answer: B.)Check for validity and evaluate the accuracy of each premise.

Explanation:

Answer:

B

Explanation:

Answer:

The book is the Subject of the sentence.

Explanation:

Have a nice day:)

Answer:

a

Explanation:

Answer:

they saw the griffin they stood astonished and scared

Explanation:

Answer:

Citing evidence is to show where in the text does your answer come from. That way, you have something to support your idea.

Explanation:

Answer:

C

Explanation:

Its the most reasonable

'You should take the bicycle (with the flat tire) to the repair shop down the street'

Answer:

D

He wanted to impress the salesman

Answer:

hi-hi= bye

Explanation:

bye

Answer:

Communicate With Impact. Ensure Everything You Write Comes Across The Way You Intend. Present Your Best Self Every Time You Type. Make Your Writing Clear and Engaging. Eliminate grammar errors.

Explanation: I am not sure

Answer:

Explanation:

with??

Answer:

help with what

Explanation:

i need to know

Answer:

1. I told the hotel receptionist that I wanted to be woken up by her up at 6.30 (or) The hotel receptionist was told by me that I wanted to be woken up by her at 6:30.

2. Her new book will probably be translated into a number of foreign languages.

3. You would be arrested if you kicked a policeman.

4. The missing boy is being looked for by the police. He can't be found anywhere.

5.The injured man couldn’t walk (no change). He had to be carried.

Explanation:

For example:

- Jonathan sliced the onions. --> The onions were sliced by Jonathan.

Answer:

Many years ago there was a indestructible cheetah not many people knew about it. One day a scientist decided to kill it so he set of to catch it but every time he tried to catch it he couldn't. The first time he tried to make it fall asleep with a dart gun it dodged the dart. ... And that's how the cheetah got its spots.

Answer:

D

Explanation:

It will always be Rhetoric

Answer:

Buck is basically dreaming about the early humans who tamed wolves and kept them as pets.

Explanation:

It is, in a way, like Buck is reliving the experiences of his ancestors, and the more dangerous world in which they lived.

Answer:

Buck is basically dreaming about the early humans who tamed wolves and kept them as pets.

Answer:

The speaker is at sea at night, heading towards the black land in the distance. He briefly paints a picturesque image of night at sea but moves forward until he pulls his vessel up on to the sand.

He walks a mile along the beach and then across three fields until he approaches his goal, a farm. He taps at the window, sees the lighting of a match, and then is overwhelmed by the beating of his and his lover's hearts as they reunite.

A short and relatively simple love poem, this piece still presents the subtext of the importance of movement in life, and of the dichotomy between the stasis of art and the action of life.

The entire poem has a sense of movement to it that reflects the speaker's desire to reunite with his love. The poem's meter and sound clearly denote a sense of pressing intent. Read it aloud to sense how the language is pushing ever forward, with three lines in the first stanza alone beginning with "And," as though to suggest that what is on the speaker's mind is never the moment he is in but rather the next thing, since the latter gets him closer to his lover. Technically, the meter is iambic tetrameter, though it is hardly strict, as should be expected in a poem that puts movement over order and contemplation.

This sense of movement is particularly interesting when compared to what is usually expected of a poem of this sort. The imagery, especially in the first stanza, is extremely picturesque and pastoral, the type of landscape that readers often expect poets to spend time contemplating and describing. Poetry, after all, often attempts to capture the complexities and beauty of particular moments, diving deeply into one image to discover all of its profundity.

This speaker, however, is uninterested in the magnificence of "the yellow half-moon large and low." Instead, his focus is on bypassing such elements so as to get to the beach, so he can get to the fields, so he can get to farm. The message here from Browning, who as usual makes no attempt to place himself directly into the work, seems to be that he chooses life rather than art, that for him the goal is movement and energy rather than static contemplation.

But when the speaker arrives to his love the poem abruptly ends. The fact that attainment itself does necessitate a third stanza can imply one of two things: either we can believe that the next action would be further movement of this sort, or we can believe that once he has attained his happiness, he has no further need for writing. He has achieved the unspeakable beauty of love, but as we see in the poem, he as speaker is not interested in plumbing the depths of beauty. Therefore, once he achieves such beauty and happiness for himself, he needs not write but rather can simply live.

It's worth noting the implications of secrecy in the poem. First, the journey and reunion happen at night, suggesting a veil of transgression that in the Victorian age would likely be linked to sexuality. Perhaps there is autobiographical impetus in exploring the theme from this angle, considering that Browning had only recently wed Elizabeth Barrett Browning after a courtship that they had to keep secret from her oppressive father. Many scholars see in it a representation of this courtship, though Browning's general eschewal of autobiography in his poetry makes it hard to imagine he would pursue that so explicitly. Regardless, the sexuality does add a certain sense of danger to the poem. Not only is sexuality implied in the clandestine meeting, but the image of the boat charging into the beach, where it can "quench its speed I' the slushy sand" is easy to interpret as a metaphor along these lines.

Overall, the poem is not subtle in its themes. The speed with which it can be read, since it is only twelve lines long, is the final implication that for he who loves, there is no cause for stopping to admire surrounding beauty, at least not until the supreme beauty of his beloved can be realized.

Answer:

i think its a

Explanation:

good luck

The statement made by the NY times is considered to be subjective as someone else might think that the expression of Yatman was representing her determination.

Option A is correct.

Wheels of Change were a book written by an author named Sue Macy and was published in the year 2011.

Therefore, the correct option is option A.

Learn more about Wheels of Change in the related link:

https://brainly.com/question/11858660

#SPJ2

Answer:

I enjoy sitting by the fireplace and reading.

Answer:

I thought I was gonna die but, I didn't.

Explanation:

Answer:

It's A.

Explanation:

I put the other one and i got it wrong.

Explanation:

Ulzzang also spelled as eoljjang , is a popular South Korean term literally meaning "best face" or "good-looking".

Answer:

Ulzzang

Means "best face" in Korean, and refers to people who are way better looking then the average. They usually posses large eyes, porcelain-smooth skin and are champions in online modeling contests. Ulzzangs are popular on social media sites, and often work for various Asian clothing sites.

Answer:

I mean it wouldn’t be bad

Explanation:

They would track what you do

they can see if your doing good or bad

and something else maybe

Answer:

So you don't get scared, and know that you can do anything! :)

Explanation:

HOPE THIS HELPS! :)

Answer:

Explanation:

Answer:

Details/Descriptions

Explanation:

Authors will usually put a lot of details into what the character is seeing/doing so that the reader can vividly see it into their minds

Hope this helps :)

Answer:

They describe it. You use sensory detail. They use the five senses. Like as I opened the old oak door it creaked, the house smelled of peppermint and Christmas had exploded everywhere. The stair case was my greeting along with the hard marble floor that was cold to my bare feet. As for the action they show it not tell it. His hands clenched as he watched the fire burn the last remaining piece of his house.

Explanation:

Hope this helps!

Answer:

What readers can infer about the themes or plot of the novel based on the line is:

3. Someone is going to make some bold, perhaps dangerous decisions.

Explanation:

The line we are supposed to analyze is:

If strong ideas offend you, read no more.

If you find a line like that in a novel, you can rest assured it is a warning. The author is letting you know he/she will probably shock you. However, that line does not reveal anything just yet. There is no way to know if this is going to be about money or fate. Therefore, we can eliminate options 1 and 2. Option 4 is also incorrect. It is not that strong ideas are offensive, according to the line. There are people who may find them to be so and, in that case, the author is warning them not to read any further. Thus, we are left with option 3. The novel that follows such a line will most likely have some bold, perhaps dangerous decisions.

Answer:

now give her the brainliest

Explanation:

: )

Answer:

Sea snakes have flattened, ribbon-like bodies, with oarlike tails. This makes them efficient swimmers but lousy land crawlers. The way they breathe is different from snakes that live on land, however. Sea snakes breathe through lungs and their skin. Like all snakes, sea snakes have forked tongues and scales. Also, like snakes that live on land, they shed their skin and breathe air.

Explanation:

Answer:

The speaker is at sea at night, heading towards the black land in the distance. He briefly paints a picturesque image of night at sea but moves forward until he pulls his vessel up on to the sand.

He walks a mile along the beach and then across three fields until he approaches his goal, a farm. He taps at the window, sees the lighting of a match, and then is overwhelmed by the beating of his and his lover's hearts as they reunite.

A short and relatively simple love poem, this piece still presents the subtext of the importance of movement in life, and of the dichotomy between the stasis of art and the action of life.

The entire poem has a sense of movement to it that reflects the speaker's desire to reunite with his love. The poem's meter and sound clearly denote a sense of pressing intent. Read it aloud to sense how the language is pushing ever forward, with three lines in the first stanza alone beginning with "And," as though to suggest that what is on the speaker's mind is never the moment he is in but rather the next thing, since the latter gets him closer to his lover. Technically, the meter is iambic tetrameter, though it is hardly strict, as should be expected in a poem that puts movement over order and contemplation.

This sense of movement is particularly interesting when compared to what is usually expected of a poem of this sort. The imagery, especially in the first stanza, is extremely picturesque and pastoral, the type of landscape that readers often expect poets to spend time contemplating and describing. Poetry, after all, often attempts to capture the complexities and beauty of particular moments, diving deeply into one image to discover all of its profundity.

This speaker, however, is uninterested in the magnificence of "the yellow half-moon large and low." Instead, his focus is on bypassing such elements so as to get to the beach, so he can get to the fields, so he can get to farm. The message here from Browning, who as usual makes no attempt to place himself directly into the work, seems to be that he chooses life rather than art, that for him the goal is movement and energy rather than static contemplation.

But when the speaker arrives to his love the poem abruptly ends. The fact that attainment itself does necessitate a third stanza can imply one of two things: either we can believe that the next action would be further movement of this sort, or we can believe that once he has attained his happiness, he has no further need for writing. He has achieved the unspeakable beauty of love, but as we see in the poem, he as speaker is not interested in plumbing the depths of beauty. Therefore, once he achieves such beauty and happiness for himself, he needs not write but rather can simply live.

It's worth noting the implications of secrecy in the poem. First, the journey and reunion happen at night, suggesting a veil of transgression that in the Victorian age would likely be linked to sexuality. Perhaps there is autobiographical impetus in exploring the theme from this angle, considering that Browning had only recently wed Elizabeth Barrett Browning after a courtship that they had to keep secret from her oppressive father. Many scholars see in it a representation of this courtship, though Browning's general eschewal of autobiography in his poetry makes it hard to imagine he would pursue that so explicitly. Regardless, the sexuality does add a certain sense of danger to the poem. Not only is sexuality implied in the clandestine meeting, but the image of the boat charging into the beach, where it can "quench its speed I' the slushy sand" is easy to interpret as a metaphor along these lines.

Overall, the poem is not subtle in its themes. The speed with which it can be read, since it is only twelve lines long, is the final implication that for he who loves, there is no cause for stopping to admire surrounding beauty, at least not until the supreme beauty of his beloved can be realized.