Program music blank​

Answer:

Its actually quite a long answer that would be difficult to phrase so little words, but I've got the answer.

Explanation:

Watch this video that explains all the questions about Johann Sebastian Bach and their answers you're looking for: (h(t(t(ps:)//ww(w).(yout(ub(e.c(o(m)/wat)ch(?(v=O)l(0oFT)hISi(8)

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Answer:

I cant do dis sry

Explanation:

Answer:

SURE

Explanation:

Answer:

value i beleive

Explanation:

Answer:

Thank the meeting tomorrow

Explanation:

I'm going in 5 to88888

Answer:

its a or b one of those

Explanation:

The answer is projecting

It should be noted that the production of two dimensional images that is transferred into a screen for viewing is referred to as projecting.

Projecting can be regarded as the act of displaying images that has two dimensions on the screen.

When projecting, the image will be magnified with the help of the projector.

Learn more about projection at;

https://brainly.com/question/11352260

Answer:

Studying human behaviors

Understanding the script

Preparing actors

Blocking

Lighting

Rehearsals

Final adjustments

Filming scenes

Explanation:

PLATO

Answer:

Studying human behaviors

Understanding the script

Preparing actors

Blocking

Lighting

Rehearsals

Final adjustments

Filming scenes

Explanation:

I got 5/5. The person above me was correct.

Answer:its called a long

Explanation:

Answer:

long

Explanation:

Answer:

love it

Explanation:

you be chu boo boo

Omggg i love it smmm it's soo adorable

Answer:

A yes he was I am pretty sure hope you do well!

Answer:

Film and stage are quite similar in that they both are looking for truthful behavior within imaginary circumstances, or to look at it another way, actors need the ability to live privately in public regardless of medium.

Unfortunately there is a lot of misunderstanding of both delivery mechanisms that leads to the belief that the two are very dissimilar.The difference lies in the technical demand of each and in the way in which audiences view the material. I am just adding here to many of the comments that have gone before.

On stage, the actor must draw focus; on camera the camera focuses on whatever the director wants to see.

On stage, the actor has the ability to repeat a performance night after night which usually deepens their per and therefore the emotional wallop of the play. On camera, the actor repeats a scene or a sequence over and over, which should, if the actor and the director are in sync, produce different and or better work.

On stage, the actor does a scene and goes off stage for only a brief moment of time and rarely leaves the immediate environs of the stage itself. Theatre usually takes about two hours to accomplish the drama. On camera, productions needs to stop and set up new lights and camera angles, or to move from place to place. The concentration needed by the stage actor is not as difficult as it is for the possible 8 to 10 hours on set required of on camera acting where the actor moves out of the set and into his or her trailer. For this reason, many film actors may be criticized as ‘too method’ or as hard to work with, or as unfriendly. In reality, they need to maintain the emotional commitment to the scenes they are being asked to shoot that day.

On stage, actors must find their light and maintain the staging agreed upon in rehearsal. However, minor changes in staging don’t affect the overall requirements of the production. On film, actors also need to be aware of hitting marks which is governed by lighting, and the general plan for shooting whether close ups, two shots or long shots.

On stage, the actor must give enough voice to be heard in the theatre in which he/she is working. Voices on stage must be energetic enough to draw focus and to excite the audience’s attention. On film, the actor must allow the microphone to magnify his or her voice. However, with the growing trend of using mics on stage, this difference is fading away.

On stage, the actor must realize what the dramatic structure of the scene is regarding its action beats (bits in Russian) and through his or her interactions, make sure they occur. On film, the shooting primarily takes care of these through editing and shooting sequences.

On stage, the actor has the ability to do all of his or her work within the brief time limit of the performance. Film is more like some theatre rehearsal techniques in which the play is rehearsed piecemeal before it is put together. Film is shot out of sequence and therefore, like stage, the actor must recognize the preceding action.

On stage, the actor’s physical movements are fairly unrestricted. On camera unrestricted movement is more likely in long shots and less so in close-ups. In both, efficiency of movement is valued. There is also the need for film actors to be a bit slower in moving, at least in close ups and two shots, because of the camera’s need to follow them. A great commercial director, Leslie Dektor, once said that actor’s should imagine that the camera is on a chain at some distance from them. With that image, the actor should understand that not only is he or she connected to the camera, but that sudden unplanned movement would whip the camera around like a ball on the end of a string, or like the “whip” ride at a carnival.

On stage, the actor’s text is usually meant to convey those things that aren’t seen or the feelings the character have. Film does most of that for the actor simply through pictures and music. There is a basic tenet of film that as much as possible the camera should tell the story without words.

On stage, actors can make character choices that are extreme because stage is not based in realism. Film is essentially a realistic medium and the actor’s need for deep personalization is more necessary (sorry to say) than stage. Of course, the stage choices that actors make are also delimited by the size of the theater. In Chicago, most of our theaters are between 40 and 150 seats, which leads to a more intimate style of acting. Perhaps that is why so many Chicago actors make the easy transition to camera which adds to our becoming a hub of film production.

On stage, the script is holy, while on camera, the script is often only a guide. This depends of the directors and writer involved, but as a rule of thumb, it is true.

Answer:

well for the charades part you can act like your doing charades, also act a little jumpy but also a little tired, like hang you head sometimes when you are dancing  

Explanation:

Answer:

I hope you used several fake cartwheels!

the ABC song my guy :)

Answer:

D.

Explanation:

He created stop motion, not go motion.

Answer and Explanation:

By reading Benjamin Britten's biography and analyzing his style and goals as a composer, we can see that a strong difference between him and other composers of his time is the ability to popularize music, breaking the attachment to classical elements and combating the elitization of music. That's because his style, with many popular elements, has already been used in amateur artists and even films. Even his composition of operas is more democratic and less elite.