Based on the provided passage, two plots that are likely to develop in parallel in "The Squatter and the Don" are the conflict between the Alamar family and the personal dilemma faced.
How to explain the informationThe conflict between the Alamar family, who have lived on the ranch for decades, and the settlers from the eastern United States who have been occupying their land since the Mexican-American War. This conflict involves the issue of land ownership and the encroachment of settlers on the Alamar family's property.
The personal dilemma faced by Clarence Darrell, the son of one of the settlers, who wants to speak to Don Mariano Alamar, the head of the Alamar family, about paying for the land they have occupied. Clarence wishes to negotiate a payment without his father knowing, as he fears his father may see it as a reproach to his own actions and be hurt by it. This plot thread explores the internal struggle and conflicting loyalties faced by Clarence as he tries to navigate the complex dynamics between the settlers and the Alamar family.
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from The Squatter and the Don by María Ruiz de Burton The...
from The Squatter and the Don
by María Ruiz de Burton
The Squatter and the Don involves two families in San Diego in the 1870s. The Alamar family, headed by Don Mariano, has lived on a large ranch for decades. But since the Mexican-American War ended, settlers from the eastern United States have been occupying the Alamar's land. In this excerpt, Clarence Darrell, the son of one such settler, runs into Señor Alamar's son Don Victoriano.
"Good morning," said Clarence, "I am glad to catch up with you, Don Victoriano. I have been wanting to speak to you."
Victoriano bowed, saying, "Will you go to my house?"
"No, I'd rather not. I am not dressed to be seen by ladies. I would rather speak to you here."
"You are going to build a large house, Mr. Darrell? " said Victoriano, turning his horse so as to ride beside Clarence; "judging by the amount of lumber being hauled."
"Yes; rather. We are a large family, and require a good deal of room. But before we doanymore work I want to speak with your father. I want to ask him—ask him as a favor—and yet, as a business proposition"—he hesitated; he was evidently embarrassed; but Victoriano, not guessing the drift of his words, remained waiting silently, offering no assistance. "Well," he continued, "I mean this: I don't like this fashion of taking people's lands, and I would like to pay to Señor Alamar for what has been located by us, but at the same time I do not wish my father to know that I have paid for the land, as I am sure he would take my action as a reproach—as a disclaimer of his own action, and I don't wish to hurt his feelings, or seem to be disrespectful."
Based on this passage, what two plots are likely to develop in parallel?
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Ethiopias,_______ are pround of their great past, are also ambitious for the future. a.who, b.whom, c.whose, d.that, e.a and b
Ethiopians, who are proud of their great past, are also ambitious for the future. The correct answer is option A.
Ethiopians are proud of their rich history, and they are equally eager for the future. The sentence needs a pronoun to show who is proud of their great past. Since the sentence refers to Ethiopians, the pronoun that suits the sentence is who.
A relative pronoun is a pronoun that links one phrase or clause to another phrase or clause, as well as explains the relationship between them. It establishes relationships between words, and they begin a subordinate clause.
The sentence can be rewritten as "Ethiopians, who are proud of their great past, are also ambitious for the future. "This sentence is an excellent example of a complex sentence since it includes one independent clause and one subordinate clause, linked by the pronoun "who." Therefore, option A. is correct.
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After the death of his father, what does Elie describe as the feeling deep inside him?
Elie Wiesel's experience in Auschwitz and the loss of his father left him emotionally drained, questioning the existence of God, yet he found the strength to persevere.
Elie Wiesel was a Holocaust survivor, a Nobel Peace Prize recipient, a professor, and a writer. Night is his autobiography, in which he depicts his family's experiences before and after they were sent to the Nazi concentration camp Auschwitz during World War II.Elie Wiesel was sent to the Auschwitz camp with his family, and he was the only survivor. After his father's death, Elie Wiesel describes feeling indifferent, even angry, because he feels as if he is no longer a son. Elie's father was his protector, and his loss left him feeling exposed and alone as if he were a child once more.“I didn’t weep, and it pained me that I couldn’t weep. But I was out of tears. And deep inside me, if I could have searched the recesses of my feeble conscience, I might have found something like: Free at last!... I didn’t utter a prayer, for I no longer accepted the existence of a God that could permit such atrocities.”The passage demonstrates that the circumstances Elie and his father experienced in the concentration camp had taken a toll on his emotional and psychological health. Elie, however, still managed to pull himself together and keep moving forward, despite everything he had seen and gone through.For more questions on Elie Wiesel
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Miller keeps the scales balanced by turning one character from each side to the other. The most likely force
of good who could end the witch trials embraces the darkness, and one of the powerful forces of evil who
began the process realizes the horror that has been unleashed and tries to stop it, but is powerless now in
the avalanche of accusation. Which force for good is turned to evil? Which force for evil is turned to good?
How is each turned? Please use evidence from the text to support your response.
Answer:
of good who could end the witch trials embraces the darkness, and one of the powerful forces of evil who
Explanation:
In As / Lay Dying, what was Anse hoping to get fixed someday?
• A. His foot
• B. The path
O c. The roof
• D. His teeth
Anse hoping to get "his teeth"-option (D) fixed someday.
In "As I Lay Dying" by William Faulkner, Anse Bundren, the patriarch of the Bundren family, has a persistent hope throughout the novel of getting his teeth fixed someday. Anse's obsession with his teeth symbolizes his desire for personal improvement and a new beginning. His decaying teeth serve as a physical manifestation of his own decay and a reflection of the decay within the Bundren family.
Anse's preoccupation with his teeth is evident from the beginning of the novel. He constantly complains about the pain they cause him and expresses his longing to have a new set of teeth. His belief is that once his teeth are fixed, he will be able to enjoy the simple pleasures of life that he feels he has been denied. Anse's fixation on his teeth is also a reflection of his self-centered nature, as he seems more concerned with his own discomfort than with the well-being of his deceased wife, Addie Bundren, or the struggles of his children.
Overall, Anse's hope of fixing his teeth represents his yearning for personal transformation and a fresh start, although his fixation on this goal also exposes his self-centeredness and lack of concern for others.
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