Answer:
Form/Formal Elements
Explanation:
This should be the correct answer i dont know if im fully correct.
These components are arranged in the order in which a single point becomes a one-dimensional line, a line becomes a two-dimensional plane, and eventually a plane becomes a three-dimensional volume.
What element do architects use in their design work?Points, lines, planes, and volumes make up the main components of form, each one developing from the last.
A line is an extension of a point, which is a location in space. A line's extension is referred to as a surface or plan. A plane is stretched into a volume.
In all eras of society, the hearth served as the sacred center around which structure and order were given. It is the foundational and most significant part of architecture.
Therefore, Form/Formal Elements do architects use in their design work to make buildings that encourage people's positive needs.
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Manufacturers measure optical disc drives relative to the original speed, using an X to denote a transfer rate of ______ KBps
Answer:
5 kbps
Explanation:
State three means of operating a power tool
Another way to consider power tools is by the energy they use to function. Power tools usually run on one of three types of power: compressed air, electricity, or combustion.
Answer:
answer is given below
Explanation:
Power tools usually run on one of three types of power: compressed air, electricity, or combustion.
Fill in the blank with the correct response.
__________involves gathering and analyzing information related to the terrain and environment of enemy forces.
Answer:
Intelligence
Explanation:
Please help me. I have no idea what I'm doing.
Answer:
a
Explanation:
Global climate and weather patterns are driven by differences in the amount of heat energy in different areas of the earth. Which statment best explains why different areas of the earth have different amounts of heat energy
How do we infer that there is
something stopping civilizations from
progressing beyond where we, humans,
are now?
Answer:
Not too far removed from Collingwood’s concern with the elimination of physical and moral force via social civilization are accounts of civilized society concerned with the management of violence, if only by removing it from the public sphere. Such a concern is extended in Zygmunt Bauman’s account of civilization to the more general issue of producing readily governable subjects. The “concept of civilization,” he argues, “entered learned discourse in the West as the name of a conscious proselytising crusade waged by men of knowledge and aimed at extirpating the vestiges of wild cultures” (1987, 93).
This proselytizing crusade in the name of civilization is worth considering further. Its rationale is not too difficult to determine when one considers Starobinski’s (1993, 31) assertion: “Taken as a value, civilization constitutes a political and moral norm. It is the criterion against which barbarity, or non-civilization, is judged and condemned.” A similar sort of argument is made by Pagden (1988, 33), who states that civilization “describes a state, social, political, cultural, aesthetic—even moral and physical—which is held to be the optimum condition for all mankind, and this involves the implicit claim that only the civilized can know what it is to be civilized.” It is out of this implicit claim and the judgments passed in its name that the notion of the “burden of civilization” was born. And this, many have argued, is one of the less desirable aspects and outcomes of the idea of civilization
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Answer:
labelled diagram for combination wrench