Which theme does Viola's subplot develop in Act II and Act III of Twelfth Night?
A. Deceit can be dangerous.
B. Love is all around
C. One should be true to oneself
D. Do not give up easily.

Answer:

Its A I took the test and the person above me is wrong.

Explanation:

The theme that Viola's subplot develops in Act II and Act III of Twelfth Night is Deceit can be dangerous.

The servants play a role in the subplot.

Olivia's servant Maria, whom she refers to as "woman," seeks vengeance on Olivia's egotistical steward Malvolio.

Maria takes advantage of this weakness by dropping love notes addressed to him that are purportedly written by Olivia.

Thus, the correct option is A. Deceit can be dangerous.

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Which statement supports the claim in the first essay that the benefits of hydraulic fracturing
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Read the excerpt from Joseph Chamberlain’s speech "I Believe in a British Empire.”


I cannot look forward without dread to handing over the security and existence of this great Empire to the hands of those who have made common cause with its enemies, who have charged their own countrymen with methods of barbarism, and who apparently have been untouched by that pervading sentiment which I found everywhere where the British flag floats, and which has done so much in recent years to draw us together. I should not require to go to South Africa in order to be convinced that this feeling has obtained deep hold on the minds and hearts of our children beyond the seas. It has had a hard life of it, this feeling of Imperial patriotism. It was checked for a generation by the apathy and the indifference which were the characteristics of our former relations with our Colonies, but it was never extinguished. The embers were still alight, and when in the late war this old country of ours showed that it was still possessed by the spirit of our ancestors, and that it was still prepared to count no sacrifice that was necessary in order to maintain the honor and the interests of the Empire, then you found a response from your children across the seas that astonished the whole world by a proof, an undeniable proof, of affection and regard.






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Elizabethan era


Middle English period


Jacobean age


Caroline age

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Two new drama genres that emerged from 1558–1603 were _____.


satyrs and pantomime


tragedy and comedy


mystery and morality plays


tragicomedy and romance

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During the reign of Queen Elizabeth, _____ mainly played the parts of women.


playwrights


rulers


men


children

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A dramatic convention when a character overhears important information about the plot and informs the audience is called _____.


eavesdropping


soliloquy


chorus


aside

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A dramatic convention whereby one character speaks to the audience (on the side) to reveal important information that other characters do not know is called _____.


a mask


eavesdropping


an aside


a soliloquy

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A dramatic convention of a character making a speech expressing inner thoughts but not speaking to other characters onstage is called ______.


a soliloquy


eavesdropping


a mask


an aside

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Playwrights in the Elizabethan era often alluded to classical mythology as well as _______.


Christian texts


Hinduism


Muslim tenets


Chinese proverbs

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Events do not turn out how the audience believes they will.


The audience finds out that the character speaking to the audience is tricking them.


The audience becomes more informed than some characters in the play.


These are the times when the audience answers the character’s questions to them.

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Elizabethan playwrights make allusions. An allusion is _____.


borrowing ideas from well-known works


using magical tricks to entertain the audiences


plagiarizing words from other authors’ plays


making humorous jokes about tragic circumstances

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wisdom


love


revenge


fertility

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Hercules is the half-god, half-______ superhero in Greek mythology.


calf
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human


giant

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Heaven


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daughter


wife


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