Hello! Can someone please help me count this​

Motown session musician Earl Van directed the funk Brothers as a heavy-handed leader.

Earl Van a member of the Circuit in the late 1950s and early 1960s, moved to Motown in late 1962 after touring with Aretha Franklin and Lloyd Price.

From the 1950s until the early 1970s, a group of Michigan artists known as the Funk Brothers had a huge musical influence. They enjoyed the Motown style. Members like Earl Van, James Jameson, Smokey Robinson, and Joe Messina were among them.

From 1959 to 1972, The Funk Brothers, a familiar name in Detroit's jazz clubs, served as Motown Records' lead guitarist and accompanied the label's Motown singers on stage.

Several Motown albums' instrumental backing was provided by the talented but unidentified studio band known as The Funk Brothers.

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Answer:

Talking in person

Communication

And confrontation

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Answer:

Linear perspective comes into play when orthogonal (parallel) lines that recede into the distance appear to get closer together as they converge at a vanishing point on the composition's horizon line.  The line at the top of mountains or buildings is not the horizon line; these objects “rest” on the horizon line.

Explanation:

Linear perspective: a type of perspective used by artists in which the relative size, shape, and position of objects are determined by drawn or imagined lines converging at a point on the horizon.

Horizon line: Horizon line/eye level refer to a physical/visual boundary where sky separates from land or water. It is the actual height of the viewer's eyes when looking at an object, interior scene, or an exterior scene.

Vanishing point: the point at which something that has been growing smaller or increasingly faint disappears altogether.

Orthogonal: of or involving right angles; at right angles

Answer:

fruit

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Answer:

fsbfaesfefsea

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Answer:

Simply put, leading lines is an image composition technique that features line shapes—like, say, a road or river—to draw the viewer's eye to the intended subject of the photograph. Whenever people look at an image, our eyes are naturally drawn to the lines present within it.

True.

Answer:

what art

Explanation:

how to make nightcore on computer

nightcore sulotion ^^ (search it up)

how to draw anime

anime drawing solution^^ (search it up)

It depends on your experience, your talent and the amount of details you give in your drawing. Also if you want to colour, what colour you use. Though for a beginner it takes almost 2–4 hours. how long it takes

Answer:

Not so sure about the nightcore. Love the songs tho. But the anime it matters how good you want it. The better it is the longer it talked. It takes me about three hours to draw on picture. Mainly I think of an idea, sketch it, than you clean it up. And if it’s an OC you need to think of the character personality. Are they crazy or moody?

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Answer: associate's

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Answer:

b

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that is his job

Answer:

This would probably be B. catharsis

Explanation:

An epiphany is when a character in a story has a sudden realization that changes what happens next

Hamartia is the flaw that brings down a hero in a tragedy

Hubris is a character's excessive pride

Catharsis is the sad, emotional feeling the audience gets when something bad happens, usually when a good character dies

Answer:

an introduction to the members of the lin family

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Answer:

an introduction to the members of the Lin family

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Sorry if I was wrong on this, this is what I think it is.

Answer:

Fashion is referred to a "mirror of our times" because when looking at certain time periods you can understand what was happening in their world. Like 70's disco fashion, it was also a time of letting go and being free, the rise of physdelics,anti war, and activism.  You can also go back to the period times where ladies wore corsets and dresses bigger than they could walk in, and men wore pants and jackets. In that period we can see that womens fashion constricted them to the house, and men wore suitale clothing to work.

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Answer:

absolute music that is

Answer:

it accepts everyone no matter what your sexuality is

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Answer:

same here, boo.

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i get those ALL the time so i feel your pain tbh. a whole lot of my questions got deleted yesterday FOR NO REASON. so preach, hun ✌️

Answer:

look it up thats what i did

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Answer:

heaven and hell

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Answer:

The young American arts patron Lincoln Kirstein (1907-1996), raised in Boston and a graduate of Harvard University, harbored a dream: To establish a ballet company in America, filled with American dancers and not dependent on repertory from Europe. Through Romola Nijinsky, whom Kirstein had assisted in writing a biography of her husband, he met Balanchine after a Les Ballets 1933 performance and outlined his vision. Balanchine was essential to it. Deciding quicky in favor of a new start, Balanchine agreed to come to the United States and arrived in New York in October 1933. "But first, a school," he is famously reported to have said.

Kirstein was prepared to support the idea, and the first product of their collaboration was indeed a school, the School of American Ballet, founded in 1934 with the assistance of Edward M.M. Warburg, a Harvard colleague. (The first classes were held January 2.) The School remains in operation to this day, training dancers for the New York City Ballet and companies worldwide. The first ballet Balanchine choreographed in America--Serenade, to Tschaikovsky--was created for students of the School and had its world premiere outdoors at Warburg's summer home near White Plains, New York, in 1934. Within a year, Balanchine and Kirstein had created a professional company, the American Ballet, which made its debut at the Adelphi Theater, New York City, in March 1935. After a handful of summer performances, a projected tour collapsed, but the troupe remained together as the resident ballet company at the Metropolitan Opera. However, Balanchine had no interest in choreographing opera dances, and the Met had little interest in furthering the cause of ballet; in the American Ballet's three years at the Met, Balanchine was allowed just two all-dance programs. In 1936, he mounted a dance-drama version of Gluck's Orfeo and Eurydice, controversial in that the singers were relegated to the pit while the dancers claimed the stage. The second program, in 1937, was, prophetically, devoted to Stravinsky: a revival of Apollo plus two new works, Le Baiser de la Fée and Card Game. It was the first of three festivals Balanchine devoted to Stravinsky over the years.

The fifty-year collaboration of these two creative giants is unique in the 20th century. Stravinsky's description of their work together on Balustrade in 1940 is implicitly a description of their shared vision. He wrote, "Balanchine composed the choreography as he listened to my recording, and I could actually observe him conceiving gestures, movement, combinations, and composition. The result was a series of dialogues perfectly complementary to and coordinated with the dialogues of the music." (In 1972, Balanchine choreographed a new ballet to the same score, Stravinsky Violin Concerto.)

The American Ballet's association with the Met came to an end in 1938 and Balanchine took several of his dancers to Hollywood. In 1941, he and Kirstein assembled another classical company, American Ballet Caravan, for a five-month good-will tour of South America. In the repertory were two major new Balanchine works, Concerto Barocco and Ballet Imperial (later renamed Tschaikovsky Piano Concerto No. 2). But after the tour this company, too, disbanded, and the dancers were forced to find work elsewhere. Between 1944 and 1946 Balanchine was engaged to revitalize Sergei Denham's Ballet Russe de Monte Carlo after the departure of Massine. There he choreographed Danses Concertantes (1944), Raymonda, and Night Shadow (later called La Sonnambula, both in 1946), while reviving Concerto Barocco, Le Baiser de la Fée, Serenade, Ballet Imperial, and Card Party (renamed Jeu de Cartes). Many of Balanchine's most important early works were introduced to America at large by the Ballet Russe, which toured the length and breadth of the country for nine months of the year.

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Hope this helps ik its alot but you can sum it up!

Brainlist??

Answer:

They used this technique in oder to create the good guys and the bad guys. The light good (The good person) the dark the bad (the protaganist) It was used frequently in films to display and help the audience catch on in films or plays

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Answer:

lol feel bad. for the dog

Answer:

I wish you luck on finding your answer! I'm sorry if you got the notification and were excited to see an explanation.

Answer:

i cant even draw a cat :/

Explanation:

yuh~

When the narrator says , "If still you think me mad you will no longer when I describe the wise precautions I took for the concealment of the body" He tries to convince the reader he is not insane (mad) by all the precautions and effort he has put into the concealment of the body.

His explanations not only make the reader realize that the narrator is very unrealiable, but realize that they are quite insane depsite the constant "I'm not mad".

hope this helps :)

Answer:

charecter vs nateure

Explanation:

Answer:

character vs. character

If wrong

character vs. Society

Explanation:

c vs. c

Two character are fighting over a leading role making it character vs. character.

Answer:

What is your question

Explanation:

But I like this poem

Around 1905, a new art style characterized by vivid, unnatural, and often garish colors was invented by French artists. This style of artwork is referred to as Fauvism. Thus, option B is the correct answer.

Fauvism is an art movement that emerged at the turn of the twentieth century. It is the name given to the work of a group of artists (including Henri Matisse and André Derain) between 1905 and 1910, which is distinguished by strong colors and fierce brushwork.

The Fauvist style, distinguished by its bold colours, textured brushwork, and non-naturalistic depictions, was a seminal moment in the early twentieth century. One of the most significant contributions of Fauvism to modern art was its radical goal of detaching color from its descriptive, representational function and allowing it to exist on the canvas as an independent element.

Therefore, Fauvism is the correct answer.

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