Answer:
animal designs with symbolic meaning
What are 4 similarities between screen acting and stage acting?
Answer:
Film and stage are quite similar in that they both are looking for truthful behavior within imaginary circumstances, or to look at it another way, actors need the ability to live privately in public regardless of medium.
Unfortunately there is a lot of misunderstanding of both delivery mechanisms that leads to the belief that the two are very dissimilar.The difference lies in the technical demand of each and in the way in which audiences view the material. I am just adding here to many of the comments that have gone before.
On stage, the actor must draw focus; on camera the camera focuses on whatever the director wants to see.
On stage, the actor has the ability to repeat a performance night after night which usually deepens their per and therefore the emotional wallop of the play. On camera, the actor repeats a scene or a sequence over and over, which should, if the actor and the director are in sync, produce different and or better work.
On stage, the actor does a scene and goes off stage for only a brief moment of time and rarely leaves the immediate environs of the stage itself. Theatre usually takes about two hours to accomplish the drama. On camera, productions needs to stop and set up new lights and camera angles, or to move from place to place. The concentration needed by the stage actor is not as difficult as it is for the possible 8 to 10 hours on set required of on camera acting where the actor moves out of the set and into his or her trailer. For this reason, many film actors may be criticized as ‘too method’ or as hard to work with, or as unfriendly. In reality, they need to maintain the emotional commitment to the scenes they are being asked to shoot that day.
On stage, actors must find their light and maintain the staging agreed upon in rehearsal. However, minor changes in staging don’t affect the overall requirements of the production. On film, actors also need to be aware of hitting marks which is governed by lighting, and the general plan for shooting whether close ups, two shots or long shots.
On stage, the actor must give enough voice to be heard in the theatre in which he/she is working. Voices on stage must be energetic enough to draw focus and to excite the audience’s attention. On film, the actor must allow the microphone to magnify his or her voice. However, with the growing trend of using mics on stage, this difference is fading away.
On stage, the actor must realize what the dramatic structure of the scene is regarding its action beats (bits in Russian) and through his or her interactions, make sure they occur. On film, the shooting primarily takes care of these through editing and shooting sequences.
On stage, the actor has the ability to do all of his or her work within the brief time limit of the performance. Film is more like some theatre rehearsal techniques in which the play is rehearsed piecemeal before it is put together. Film is shot out of sequence and therefore, like stage, the actor must recognize the preceding action.
On stage, the actor’s physical movements are fairly unrestricted. On camera unrestricted movement is more likely in long shots and less so in close-ups. In both, efficiency of movement is valued. There is also the need for film actors to be a bit slower in moving, at least in close ups and two shots, because of the camera’s need to follow them. A great commercial director, Leslie Dektor, once said that actor’s should imagine that the camera is on a chain at some distance from them. With that image, the actor should understand that not only is he or she connected to the camera, but that sudden unplanned movement would whip the camera around like a ball on the end of a string, or like the “whip” ride at a carnival.
On stage, the actor’s text is usually meant to convey those things that aren’t seen or the feelings the character have. Film does most of that for the actor simply through pictures and music. There is a basic tenet of film that as much as possible the camera should tell the story without words.
On stage, actors can make character choices that are extreme because stage is not based in realism. Film is essentially a realistic medium and the actor’s need for deep personalization is more necessary (sorry to say) than stage. Of course, the stage choices that actors make are also delimited by the size of the theater. In Chicago, most of our theaters are between 40 and 150 seats, which leads to a more intimate style of acting. Perhaps that is why so many Chicago actors make the easy transition to camera which adds to our becoming a hub of film production.
On stage, the script is holy, while on camera, the script is often only a guide. This depends of the directors and writer involved, but as a rule of thumb, it is true.
Someone pls help me with the notes ( Will give brainliest answer)
Answer:
CCGG AAG FFEE DDDDC GGFF EED GGGF EED CCGG AAG FFEE DDC
Wat is the meaning of Sharpener by cavetown. Correct one gets a brainliest.
the song: say my name beetlejuice. i need some corigraphy (dance moves an stuff) for the beetlejuice part.
Answer:
well for the charades part you can act like your doing charades, also act a little jumpy but also a little tired, like hang you head sometimes when you are dancing
Explanation:
Answer:
I hope you used several fake cartwheels!
The production of two dimensional images transferred onto a screen for viewing is referred to as ________________.
a.
panning
c.
recording
b.
projecting
d.
advertising
The answer is projecting
It should be noted that the production of two dimensional images that is transferred into a screen for viewing is referred to as projecting.
What is projecting?Projecting can be regarded as the act of displaying images that has two dimensions on the screen.
When projecting, the image will be magnified with the help of the projector.
Learn more about projection at;
https://brainly.com/question/11352260
What element of art, when applied, creates the illusion of form???*
10 points
Value
Line
Ο Ο Ο Ο
Color
Space
Answer:
value i beleive
Explanation:
can someone believe in multiple religions?
Which of the following is not true about Alfred Hitchcock?
a.
He is considered a master at using camera techniques to create special effects.
b.
His films were highly suspenseful, psychological, and unique.
c.
He used chocolate, rather than the traditional corn syrup, to create bloody scenes.
d.
He created the concept of go motion for his masterpiece, The Birds.
Answer:
D.
Explanation:
He created stop motion, not go motion.
BRAINLIEST
Which format is used in television scripts?
A.
one-third video and two-thirds audio
B.
one-half video and one-half audio
C.
two-thirds video and one-third audio
D.
three-quarters video and one-quarter audio
R
Answer:
its a or b one of those
Explanation:
10 points
How would I count this pattern of 16th and 8ths if it were at the very
beginning of a measure? *
1e&a
1 & 2
1e &
1ea
Request ed
Answer:
Thank the meeting tomorrow
Explanation:
I'm going in 5 to88888
in what way do the structures and functions of human system differs
What typical sequence of actions would a director working on a film or theater production follow as a process?
final adjustments
blocking scenes
filming scenes or performing in front of
an audience
lighting to follow movements
understanding the script
rehearsals to fine-tune performances
studying human behavior
preparing actors for performances
Answer:
Studying human behaviors
Understanding the script
Preparing actors
Blocking
Lighting
Rehearsals
Final adjustments
Filming scenes
Explanation:
PLATO
Answer:
Studying human behaviors
Understanding the script
Preparing actors
Blocking
Lighting
Rehearsals
Final adjustments
Filming scenes
Explanation:
I got 5/5. The person above me was correct.
answer with the lyrics to your favorite song
**My, my, my, my
(My, my, my, my)
My, my, my, my
(My, my, my, my)
My, my, my, my
(My, my, my, my)
My, my, my, my
(My, my, my, my)
Saying goodbye is death by a thousand cuts
Flashbacks waking me up
I get drunk, but it's not enough
'Cause the morning comes and you're not my baby
I look through the windows of this love
Even though we boarded them up
Chandelier still flickering here
'Cause I can't pretend it's okay when it's not
It's death by a thousand cuts
I dress to kill my time
I take the long way home
I ask the traffic lights if it'll be alright
They say, "I don't know"
And what once was ours
Is no one's now
I see you everywhere, the only thing we share
Is this small town
You said it was a great love
One for the ages
But if the story's over, why am I still writing pages?
'Cause saying goodbye is death by a thousand cuts
Flashbacks waking me up
I get drunk, but it's not enough
'Cause the morning comes and you're not my baby
I look through the windows of this love
Even though we boarded them up
Chandelier still flickering here
'Cause I can't pretend it's okay when it's not
It's death by a thousand cuts
My heart, my hips, my body, my love
Tryna find a part of me that you didn't touch
Gave up on me like I was a bad drug
Now I'm searching for signs in a haunted club
Our songs, our films, united, we stand
Our country, guess it was a lawless land
Quiet my fears with the touch of your hand
Paper cut stings from our paper-thin plans
My time, my wine, my spirit, my trust
Tryna find a part of me you didn't take up
Gave you so much, but it wasn't enough
But I'll be alright, it's just a thousand cuts
I get drunk, but it's not enough
'Cause you're not my baby
I look through the windows of this love
Even though we boarded them up
Chandelier still flickering here
'Cause I can't pretend it's okay when it's not
No, it's not
It's death by a thousand cuts (you didn't touch)
Tryna find a part of me that you didn't touch
My body, my love
My trust (it's death by a thousand cuts)
But it wasn't enough, it wasn't enough, no, no
I take the long way home
I ask the traffic lights if it'll be alright
They say, "I don't know"**
Answer:
Lily was a little girl,
Afraid of the big wide world.
She grew up,
Within her castle walls.
Now and then she tried to run,
Ending every night on the setting sun.
She went in the woods away,
So afraid
All alone.
They warned her,
Don't go there.
There's creatures
Who are hiding in the dark.
Then something
came creeping...
Finish the lyrics with me?
Explanation:
Any Walkers here?
how do you put two pictures together to make on on a computer
Answer:
well if your talking about a colloge its depending on what your doing t with?? google docs is easy and if its for like a background than screenshot it or save it to your documents.!!
Explanation:
hope this helps and could you brainliest
IK THIS IS A LOT BUTS ITS ABOUT Johann Sebastian Bach I NEED THIS DONE OR I FAIL
As a teenager, he travelled to Hamburg. What happened in Hamburg in 1703 when he was 18?
In 1717, at the age of 32, he was hired as court choirmaster where he composed 100’s of works. Describe some of them.
In 1723 he moved to Leipzig and became choirmaster at a private school, and supervised the music at 2 churches. He wasn’t happy in this position, so why did he take it?
List some of the things he taught while he worked in Leipzig.
Describe his physical appearance, and also, describe him as a teacher.
When and where was he born, and where and when did he die?
Find and post a link for “Tocatta and Fugue in D Minor.
What era was he a composer in?
Answer:
Its actually quite a long answer that would be difficult to phrase so little words, but I've got the answer.
Explanation:
Watch this video that explains all the questions about Johann Sebastian Bach and their answers you're looking for: (h(t(t(ps:)//ww(w).(yout(ub(e.c(o(m)/wat)ch(?(v=O)l(0oFT)hISi(8)
PS: remove all the () for the link.